The relatively new director completely fails at providing something unique and distinctly his, creating an even more vacant and hollow feature.
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The look and feel of Murro's sequel so closely resembles the empty stylization of the first that it might as well have come from Snyder. To some extent, this wouldn't be all that bad if not for the fact that the film pretty much repeats what worked in the first movie, something that has just recently been turned into a joke in another sequel, '22 Jump Street.' Israeli filmmaker Noam Murro makes his American debut with an array of sweeping camera movements and slow-motion sequences of screaming soldiers that suddenly switch to quick, rapid gestures of swords plunging into the hearts of the enemy while large goblets of blood splatter the screen. This is essentially the same underdog story as before, except 300 Spartans versus Xerxes's army of thousands is reimagined as a small navy fleet against thousands of warships. Like its predecessor, the plot, based on Miller's yet-unpublished comic 'Xerxes' and adapted by Snyder and Kurt Johnstad, doesn't demand much of its audience, because the film subscribes itself to the idea that littering the screen with pretty CG visuals is more than enough to keep viewers engaged. Despite being stylishly identical - a near carbon copy, to be more precise - to Zack Snyder's wildly imaginative adaptation of Frank Miller's graphic novel, '300: Rise of an Empire' succeeds at only being passably entertaining, an easy way for passing the time while waiting for a better movie to come along.